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1.
OLAPPAMANNA
Olappamanna
Mana of Vellinezhi in erstwhile Valluvanaad Thaluk was a major feudal landlord
of the time, and an "Ashtagrihathil Aadhyan". During the second half of
the tenth century (ME) there were two Apphan Nambudiripads who were instrumental
in establishing a Kathakali Yogam. This was perhaps one of the early and
long-lasting training centres that had contributed much to the development
of this unique art form.
The
social, family and financial circumstances of the times also favoured the
running of the Yogam by Valiya Apphan (Vasudevan, 982 - 1056 ME) and Cheriya
Apphan (Chithrabhanu, 984 - 1063 ME) Nambudiripads. The top trainer of
the period, Sanku Panikkar was brought from Palakkad to train the seven
selected students, assisted by Cholayil Krishnankutty Bhaagavathar, who
left after four months and was replaced by Karumanassery Krishnankutty
Bhaagavathar. Training began in 1018 with Unneeri Menon and Ittiraricha
Menon of Kalluvazhi, Kollengattil Achyutha Menon of Mannur, Pallath Achyutha
Menon of Cherayi and Thekkumparambath Govinda Panikkar of Kuruvattoor as
students. Ittiraricha Menon's exceptional talent and attractiveness were
recognized, nurtured and promoted by both Apphans.
By
1030, the fame of the Yogam spread throughout Kerala. When Sanku Panikkar
left, Unneeri Menon replaced him as trainer, and when he left in 1032,
Ittiraricha Menon became the trainer. Arimboor Raman Menon was among the
new students. In 1035, Cheriya Apphan Nambudiripad started a separate Yogam
at their place in Ezhakkattiri with a new set of costumes and Kollengattil
Achyutha Menon as trainer. The trainees included Itteenaan, Chathu and
the famous "Thaadi" Kuttirama Menon. Pallath Menon and Chembolly Krishna
Panikkar were also in this Yogam. The death of Cheriya Apphan in 1063 was
also the end of that Yogam. But the Vellinezhi Yogam continued even after
the death of Valiya Appan in 1056.
The
youngest of their elder brother's five sons, Chithrabhanu (Anujan) continued
to manage the Yogam. He could sing and play "Chenda". It was under his
initiative that the great Pattikkamthodi Ravunni Menon got trained there.
After his death in 1068, his eldest brother Vasudevan Nambudiripad's eldest
son Narayanan (Kunjunny) Nambudiripad looked after the Yogam. He was not
only a Vedams and Saasthrams scholar, but also an exponent of music, Naatyasaasthram
and especially Kathakali. It was during those periods that Olappamanna
Mana reached its pinnacle of wealth and nobility.
In
the Yogam, Kalluvazhy Kunjan Pisharody and his student Kunjan Nair, followed
later by Vellinezhy Ramankutty Bhaagavathar, handled music. The drums were
played by Vellinezhy people, and on special occasions Kurunkaad, Kaanthenkaavu,
Chittan, etc. Theekkulath Sanku Nair, Aalath Achyuthan Nair, Kallankandath
Krishna Panikkar, Othenathu Raman Nair, etc. had already started their
training even in Valiya Apphan Nambudiripad's time. Olappamanna Yogam used
to invite and felicitate the great artistes of the time, including Nalanunni,
Easwara Pillai Vichaarippukaar, Kesava Kurup, Kandoth Krishnan Nair, etc.
The
training came to an end in 1080 on the death of Kunjunny Nambudiripad,
but the artistes continued to be supported at the time of the scholarly
and pious Neelakandhan (Kunchu) Nambudiripad. But this slowed down after
1085 when Parameswaran Nambudiripad died and Kunchu Nambudiripad had to
manage the family affairs. When he also died in 1111, the great Olappamanna
Kali Yogam, which had contributed so much to this unique art form for almost
a century (1018 - 1111), though effectively for 62 years till 1080, had
to be wound up.
Kunjunny
Nambudiripad's eldest son Vasudevan Nambudiripad was both a scholar and
a Kathakali connoisseur, and had written an Attakkathha "Dhruvacharitham",
which was staged in the Mana. In 1084 his efforts to revive the Yogam failed.
The Mana had two full sets of costumes. Pattikkamthodi Ravunny Menon continued
to sincerely be loyal to the Mana for making him what he became, and the
members of the Mana continued their support to the end.
2.
MAPPAAT
The
Mappaat Mana is in Munnoorkod of erstwhile Valluvanaad Thaluk in Palakkad
district. In ME 1050, one Parameswaran Nambudiripad (d.1073) acquired a
costume set and started a Kali Yogam headed by Unneeri Menon, and off and
on with Ittiraricha Menon, Chembolly, Thekkumpurath and Pallath, and Mannur
Krishnankutty Bhaagavathar for music, Kalluvazhi Sankaran Nambeesan for
Maddalam and Kurunkaad for Chenda. Kandappa Kurup had his training there.
This Yogam1 continued till 1056, but there were four Kali Vattams2 thereafter.
His
second son Sreekumaran Nambudiripad, himself a Maddalam drummer, had a
Kali Vattam during 1058 - 59 with Theekkulath Sanku Nair, Kallankandath
Krishna Panikkar, Korambi Rama Panikkar, etc., Gopalakrishna Bhaagavathar
for Ponnani, and the early drummers continued. In 1060, his elder brother,
another Parameswaran Nambudiripad had a Vattam with Kandappa Kurup, Arimbur
Raman Menon, Kongad Raman Nair (female roles), Kuttirama Panikkar (Thaadi),
etc., and Kavassery Maanu Bhaagavaathar for music, Angadippuram Sekhara
Panikkar for Maddalam and Munnoorkkod Vythu Pattar for Chenda.
Then
in 1075, his younger brother Sreekumaran Nambudiripad (jr.) conducted a
Vattam with the same Kandappa Kurup, Kodenkurussy, Kolapparabmbil Kitta
Panikkar, and Killikurissimangalam Madhavan Nair (female roles), with Pattaazhi
Apphan Namboodiri for music, Thiruvilwamala Krishnan Nair for Maddalam
and Kelu Nedungadi for Chenda. This Sreekumaran Nambudiripad who was highly
knowledgeable in Kathakali, died in 1116.
3.
PURAYANNUR
Chithrabhanu
(Kunjikkavu) Nambudiripad the fourth in the line of Purayannur (Illam in
Kulukkallur in Palakkad district) made arrangements in 1070 to start a
Yogam in Cherumundasseri where they had a place in which he had taken up
permanent residence. In addition to being a Kathakali enthusiast, he was
an expert on elephants and oxen as well as getting physical with hands
("Kayyadi" and "Kayyaankali"). The Yogam was actually established in 1071
with Nalloor Kunchu Panikkar as the chief trainer and performer. The group
included Konthu Panikkar, Kuttirama Panikkar (Thaadi), Pattakkal Raman
Nair of Cherumundasseri (female roles), Pattaazhi Apphan Namboodiri, Kurunkaad
and Thiruthi Namboodiri for music, Madhavan Nair (Maddalam) and Aalikkal
Govindan Nair (Chenda). Kadambur Gopalan Nair and Kunchunni Panikkar had
their initial training there. After a year, the costume set was given to
Edamana who ran a Yogam for 18 years. Chithrabhanu Nambudiripad died in
1083.
4.
EDAMANA
Edamana
of erstwhile Valluvanaad Thaluk had initiated the training of five or six
students for Kathakali in 1069 under Othenath Raman Nair. In 1072, they
bought the Purayannur costume set, brought in top level artistes and ran
a first class Yogam. Ittraricha Menon and Thekkumburath were in it for
the first two years. The famous Pattikkanthodi and Koppan ("Aasaari" fame) had
got some rich experience there doing medium level roles. Ottapalam Subrahmania
Bhaagavathar was the Ponnani with his own student Kunchu Panikkar as his
Singidi in music. The great Maddalam drummer Venkicha Swamy was a member
of the Yogam during the first four years.
After
Othenath Raman Nair's death, Kodenkurussi Sankunny Menon became the head
trainer and also brought in Kunchu Kurup. No real greats came out of this
"Kalari" (training centre). Sankunny Varier became a good musician and
Vaazhankandathil Kuttikrishna Varier a Maddalam drummer. Kizhakkathil Krishna
Panikkar (Moothaan) and Paarakkaat Raman Nair became mid-level performers.
In 1080, Edamana Kali Yogam was operated by Karippattu Narayanan Mooss,
in which Kandappa Kurup, Kunchu Kurup, Wandoor Krishnan Nair and Venkitakrishna
Bhaagavathar were members.
5.
MUDAPPILAAPPALLY
This
Mana is in Mankada Pallippuram of Valluvanaad Thaluk. One Jathavedan (Chaathappan)
Nambudiripad who was scholarly capable, popular and a Kathakali enthusiast,
arranged for Kandappa Kurup to train several students in 1067 and conducted
their stage initiation ("Arangettam") in 1068. Olappamanna costume was
used in the Yogam, the two Manas being on friendly terms. The Yogam continued
for three years after Chaathappan's death in 1092, i.e., till 1095, and
occasionally therafter, till 1101. Ittiraricha Menon, Othenath Raman Nair,
Kandappa Kurup, Itteenaan Panikkar, Thekkumparambath Govinda Panikkar and
Wandoor Krishnan Nair (female roles), and for music, Gopalakrishna Bhaagavathar,
Kanna Kurup, Themmadathil Appu Menon, Erathu Panku Nair, Vellinezhi Ramankutty
Bhaagavathar, etc. were all in the Yogam at one time or another. During
1068, the later greats like Ramunni Menon, Koppan Nair, Malakaattil Sankunny
Nair and Thekkinkaad were junior artistes. Chempaarakkal Krishnan Nair,
a favourite of Chaathappan, Sankaran Nair, Thekkinkaattil Ramunni Nair
and Velu Komaram were in the Yogam during the 1093 - 95 period.
6.
PULLOOR
Pulloor
Kuttaanikkaad, also known as Cheraankunnu, is in Elankoor of Eranad Thaluk,
around 6 kM east of Manjeri. It was one Madhavan Namboodiri who established
the Kali Yogam in 1068, with Kallankandath Madhavan Nair as the chief trainer,
and the Arangettam of the students was a year later in 1069. They introduced
a novel idea of training curtain operators ("Thiraseela") too. They also
made a prayer song invoking Subrahmania Swamy of Karikkaad temple their
"Graama Kshethram". The Yogam continued till 1071, during which period,
after the death of Madhavan Nair, Krishna Panikkar became the lead trainer.
Though many artistes came out of the Yogam, the two famous ones were Cherupaarakkal
Krishnan Nair and Vadakkethil Sankaran Nair. The Yogam was functional again
during 1082 and 1083.
7.
POOMULLY
Poomully
Mana is situated in Peringod, about 3 kK from Koottanad in Palakkad district.
This very rich family had, at one time two members very keenly interested
in Kathakali, the "sixth Thampuraan" Sankaran Nambudiripad and the ninth
- Thuppan (Subrahmanian) Nambudiripad, who in 1063 ME started a Yogam.
They decided that to their Yogam must have an actor equally or better than
Ittiraricha Menon, at that time arguably the best at least in South Malabar.
Azhakunkumaarath Madhavan Nair of Kuthanur met these expectations, and
later came to be known as Poomully Madhavan.
Though
the troupe used to stay at Poomully Mana, the Yogam did not undertake training.
The death of Madhavan Nair in 1065 broke Aaraam Thampuraan's heart, and
the Yogam was wound up. But the Poomully people used to encourage and felicitate
the other Yogams when they came there. The second and the stronger Yogam
at Poomully were during the Pattikkaamthodi period.
In
1076, the 6th and 8th Thampuraans restarted a Yogam and training Kalari.
The idea was to encourage local talents. Konthunny Panikkar assisted by
Govinda Pisharody trained five boys, of which Govindan Nair and Sankunny
Nair later became top artistes. Wanting the best for music and drums, they
brought in Gopalakrishna Bhaagavathar, Kanna Kurup, Kurunkaad Vasudevan
Namboodiri, Venkichan Swamy and Kaanthenkavil Nanu Menon. Since Kulankara
Kunjikrishnan Nair was their favourite, he participated in most of the
Yogam performances.
During
the Malabar tour of Ayyappa Kurup's Yogam, with several stagings at Poomully,
Thiruvalla Kunjupilla impressed them so much that he stayed there for months
during 1079 and 1080, and trained and perfected Sankunny Nair's "Lalitha"
scenes. After 1087, the outsiders were let go, and Kesavan Nair had by
then risen to "Ponnani" level. The Peringod set and the loyal Govindan
Nair and Sankunny Nair used to stage several performances.
8.
CHENNAAS
Thrivikraman
Nambudiripad of Chennamangalathu (Chennaas) Mana of Eravimangalam in Malappuram
district, an ancient and famous "Thanthri" family, ran a Kali Yogam during
1084 to 1089. It had Kallankandath Krishna Panikkar, Koppan Nair, Poomully
Sankunny Nair, Pallikkurup Ravunny Varier, and for a couple of years, Govinda
Pisharody as the major artiste, and the Ponnani was Kammara Bhaagavathar.
The Yogam also arranged Madathil Govindan Nair of Ongallur to teach four
local boys, but they did not turn out to be good performers. The Yogam
used to have a lot of performances in the Kottakkal and Kozhikode Kovilakams.
9.
NEDUMPALLY
Also
known as Thamaranalloor, the Illam is in Irinjalakuda, and have Thanthram
status in Sree Padmanabhaswamy Temple at Thiruvananthapuram. In ME 1084,
one Parameswaran Nambudiripad (d. 1116) started a Yogam with Kizhuthaanni
Govinda Panikkar, Kavalappara Narayanan Nair, Appunny Poduval, Kaattaalathu
Madhavan Nair and Appukunjan Mooss for "Vesham", Venkitakrishna Bhaagavathar
and Thiruthy Namboodiri for music, Ambat Gopalan Nair for Maddalam, and
for Chenda, Kinaayathu Sankaran Nair and Purayathu Gopalan Nair. For middle
level, Mannur Sankaran Nair and for minor, his disciples Vandiyil Gopalan
and Madhavan.
Believing
that it would be difficult to manage such a collection of major artistes,
he had only mid-level artistes for the next two years - Unniyaattil Gopalan
Nair, Kizhuthaanni Govinda Panikkar and Thekkinkaattil Ravunny Nair. The
two minors were promoted to mid-level. The two minors were Panikkar's sons
Ayyappalathu Govindan and Kunjan. It also had Thiruthi Namboodiri and Vellakkat
Narayanan Nair.
During
1088 and 1089 the Yogam was top class with Karunakara Menon, Kunchu Kurup,
Thekkinkattil Ravunni Nair, Venkitakrishna Bhaagavathar, Sankara Bhaagavathar,
Thiruthi Namboodiri, Madhava Varier, Kuttan Marar, etc.
10.
MALLISSERY
Mothassara
Mallissery Narayanan Namboodiri (Perinchellur Taliparamba Graamam) had
a Kali Vattam during 1095 - 96 with Chanthu Panikkar, Thamarakkulam Achhan
Namboodiri, Kammara Nair and Puliyaampally Marars.
11.
VAARANAKKOTT
In
1103, Cheriya Subrahmanian Namboodiri of Vaaranakkott Illam of Chirakkal
Thaluk organized a Kali Yogam with Chanthu-, Ambu-, Chinda Panikkars, K
R Kumar of Vellinezhy, Kariyattil Kumaran Nair, Vasu Nambeessan, Kammaran
Nair, Pollekkaatt Narayanan Nair, Panengot Narayanan Nair and Puliyaampally
Marars. During 1103 and 1104, Kanna Marar (since dead), Rama Marar and
Puthiyedathu Krishnan Nair were trained. Next year, Kottaikkaduthu Moolassery
Kelu Nair ran the Yogam.
12.
MULLAPPILLY
Edakkaat
Mullappilly second "Kaaranavan" Narayanan ran a Kali Vattam during 1111
and 1112 at Ezhunnelliyedathu with Karunakara Menon, Kochugovindan Nair,
Adukkadan Krishnan Nair, Pulappatta Kesava Panikkar and Nanu Nair (1112).
Karunakara Menon died during this period.
13.
VAADHYAAN
Ittithayan
Namboodiri (d. 1123) of Vaadhyaan Mana of Achipra (Malappuram district),
leader of Thirunaavaaya group, used to have a Yogam during 1107 to 1111.
He had Koppan Nair, Unniyaattil Gopalan Nair, Kottappady Madhava Panikkar,
Raman Nair, Kavunkal Sankarankutty Panikkar, Karunakara Panikkar, Kochunny
Panikkar for part of the time, Kariyattil Kumaran Nair, Kunchu Poduval,
Narikkattiri Namboodiri, Chethallur Sankunny Varier, Manjeri Velu Komaram,
Punnathur Madhavan Nair, Nelluvayi Govindan Nair and Kadavallur Sankunny
Nair. Vaadhyaan were supporters and promoters of the Kavunkal Panikkars,
as were Koodalloor.
14.
KOODALLOOR
The
then senior Nambudiripad of Koodalloor, 9 kM from Pattambi and 3 kM from
Koottanad (Palakkad district) had a Kali Vattam during 1102 and 1103. In
the Yogam were Pattikkamthody Ravunny Menon, Kavalappara Narayanan Nair,
Kuttirama Panikkar, Kunjan Panikkar, Swarnathu Maani and Moothamana Namboodiri.
Kavunkal Sankarankutty Panikkar had most of his training here. Kunchu Nair's
"Arangettam" was in this Yogam's "Kali" in Vazhenkata temple. The Kavunkal
Panikkars, after their Arangettam in front of their "Paradevatha", the
Trichur Thevar, had invariably their second stage performance at Koodalloor.
Twenty
years later during 1122 - 23, Brahmadathan (Kunchunny, 1070 - 1150) Nambudiripad
organized a training session where Thekkinkattil Ravunny Nair trained several
students, of whom Kalamandalam Gopi and V P Ramakrishnan (of Darpana) obtained
fame. Balakrishnan who went to Chennai to teach Kathakali, had an untimely
death as a result of snake-bite. Kunchu Nambudiripad took the troupe that
also included Sankunny Varier and Gopala Panikkar, to Mumbai to raise funds
for starting a High School at Chathannur.
15.
VALIYAMANA
For
four years during 1086 - 89, one Kuttan (Apphan) Nambudiripad managed the
Koranoth Kali Yogam out of his own funds.
16.
MARANAATT
Also
called Maraatt between Wandoor and Pandikkad, the Mana ran a Yogam and
a training centre. The famous "Thaadi", Krishna Panikkar known as Thaadi
Krishnan was trained there under Unneeri Menon. After the dissolution of
Maranaatt Yogam, Krishna Panikkar joined Olappamanna and Mappaat Yogams.
17.
POONKUDIL
Poonkudil
Illam of Mankada Pallippuram (Malappuram district) had a Kali Vattam for
four years since 1068 with Kunjan Menon, Kuttirama Panikkar, and for music,
Angadippuram Govinda Menon. During the four years, Itteeraan Panikkar,
Kodenkurissi and for Thaadi, Mannaarmala Chami Menon.
18.
THAZHAKKAATT
The
Namboothiris of Thazhakkaat Mana of Trikkarippur are called "Thirumump"
(click : Matriarchy Among Namboothiris). The
then Kaaranavar, Vasudevan Thirumump (d. 1081) started a training centre
in 1069 and also making a complete costume set. Initially, the trainer
was Gopala Panikkar. After four months, the famous "Aasaan" Eachara Menon
was brought in. The students included Chanthu-, Ambu-, Chinda Panikkars,
Vallayil Chanthu and Kaavil Raman. The Aasaan's son Karunakara Menon and
Kuttikrishnan Nair also helped as instructors and were with the Yogam throughout.
Eminent North Malabar artistes became members of this Yogam, among whom
were Kesavan Nambeesan for six years, "Thaadi" Kuttirama Panikkar for seven
years and Kulangara Kunhikrishnan Nair, Wandoor Krishnan Nair and Poomully
Sankunny Nair for one year each. Locally popular South Malabar artistes
like Cherukunnu Thekkumbaadan Narayanan Nair Karuvalloor Vaayakkodan Kannan
Nair, Korothkaaranda Rama Poduval, Karol Vishnu Namboodiri, etc. were members
of the Yogam at middle and other levels. By 1077, Chanthu- and Ambu Panikkars
were elevated to higher levels. During their early training period, Edamana
Namboodiri was Ponnani with Peralasseri brothers as his Singidi. In 1071,
Vaavallipathy Narayanan Nair and Kannappa Kurup were Ponnanis with Kesavan
Nair and Vasu Nambeesan as Singidis. In 1072, Kavasseri Ramankutty Bhaagavathar
and Samikutty Bhaagavathar were appointed as Ponnanis. Vasu Nambeesan's
final training was here.
The
main Maddalam drummers were Manayakathu Raman Nair and Achuthan Nair, Chenda,
Themmadathil Kunhiraman Nair, and Chutti, Naduvaprathu Thirunelli Illathu
Sankaran Namboodiri. The costume set was made under the supervision of
this Namboodiri.
An
unpublished Aattakkattha "Kamsa Vadham" written by Vasudevan Thirumump
was staged there, and continued to be performed by the Yogam. After the
demise of Thirumump in 1081, since none else at Thaazhakkaatt had any interest
in the Yogam, it was run under the supervision of Kallyaatt Nambiar during
the next year. After the "Petty-Vechu-Kali", the final performance of the
Yogam, Kodoth Kammmaran Nambiar brought the entire troupe to his place
in Kuniyil and continued the activities.
19.
VALLOOR
During
the late 1040s, Valloor Achhan Namboodiri ran a Kali Vattam for 4 - 5 years,
prompted mainly by Unneeri Menon of Nalloor Valappu family in Kalluvazhy
of erstwhile Valluvanad Thaluk (Palakkad district). The training was in
Nalloor Kalari. There Unneeri Menon trained his own nephew Konthu Menon
and a relative in Manjaloor branch, Kunchu Panikkar. During 1049, the Yogam
staged several times in the Saamoothiri and Kottakkal Kovilakams.
20.
CHIRAMANGALATH
For
two or three years from 1099, Chirumangalath Nambudiripad - CMC - ran a
pompous Kali Vattam using Kavalappara costumes and using Paaliyath Cheriya
Kunjunny Achan's Kalaabhyudayam's scenes as background, similar to what
is used in Tamil dramas. He staged ticketed performances in Palakkad, Parappanangadi,
Tirur, Lakkidi and Pattambi. Though he managed it in 1100 also, he suffered
much financial difficulties. Chirumangalam was a partner in the ticketed
programmes organized by Kuthiravattath Sankaran Thampan during 1105.
21.
KIRAANGAATT
Though
short-lived, the Kiraangaatt Kali Yogam was a well-managed one. Its expensive
costume set was the best ever seen by the connoisseurs. The "Kesa-bhaarams"
(head-gear) ["mudi"] of "Kari" and "Karutha Thaadi" were made differently.
And such special care was noticed in almost every item.
The
main artistes of the Yogam included Kesava Kurup and Ambat Sankara Menon.
1. Olappamanna
2. Mappaat
3. Purayannur
4. Edamana
5. Mudappilaappally
6. Pulloor
7. Poomully
8. Chennaas
9. Nedumpally
10. Mallissery
11. Vaaranakkott
12. Mullappilly
13. Vaadhyaan
14. Koodalloor
15. Valiyamana
16. Maranaatt
17. Poonkudil
18. Thaazhakkaatt
19. Valloor
20. Chiramangalath
21. Kiraangaatt
22. Desamangalam
23. Nalloothanchery
24. Nilayangod
Footnote: | 1.
Kali Yogam - A training institution usually in feudal homes where
a full-fledged Kathakali troupe - actors, musicians, drummers, etc. - are
housed, costumes are hand-crafted and maintained, and performances are
staged.
2. Kali Vattam - It is more like a Kathakali club which, for a period - a couple of years, usually - organises Kathakali performances at various places. |
Article
by : K D Nambudripad, Koodallur Mana, M-10/12, Malaparamba Housing
Colony, Calicut - 673 009
Phone : 0495-2371333 |
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